2017年5月31日 星期三

Approaches to Literature 2017/3/22(Week6)

parody
A parody is a work created to imitate, make fun of, or comment on an original work—its subject, author, style, or some other target—by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody … is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice." Parody may be found in art or culture, including literature, music (although "parody" in music has an earlier, somewhat different meaning than for other art forms), animation, gaming, and film.
Cathedral

A cathedral is a Christian church which contains the seat of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Church buildings embodying the functions of a cathedral first appear in Italy, Gaul, Spain and North Africa in the 4th century, but cathedrals did not become universal within the Western Catholic Church until the 12th century, by which time they had developed architectural forms, institutional structures and legal identities distinct from parish churches, monastic churches and episcopal residences.


✱ An affair to remember
An Affair to Remember is a 1957 American romance film starring Cary Grant and Deborah Kerr, directed by Leo McCarey and filmed in CinemaScope and DeLuxe Color. It was distributed by 20th Century Fox. The film is considered one of the most romantic movies of all time, according to the American Film Institute. The film was a remake of McCarey's 1939 film Love Affair, starring Irene Dunne and Charles Boyer.


✱ plot
Nickie Ferrante, a well-known playboy and dilettante in the arts, meets Terry McKay aboard the Transatlantic ocean liner SS Constitution en route from Europe to New York. Each is involved with someone else. After a series of chance meetings aboard the ship, they establish a friendship. When Terry joins Nickie on a brief visit to his grandmother when the ship anchors near her home at Villefranche-sur-Mer on the Mediterranean coast, she sees Nickie with new eyes and their feelings blossom into love. During their visit, it is revealed that Nickie has had a talent for painting, but has dropped said trait due to his critical attitude towards his own art. As the ship returns to New York City, they agree to reunite at the top of the Empire State Building in six months' time, if they have succeeded in ending their relationships and starting new careers.

✱ Sleepless in Seattle
Sleepless in Seattle is a 1993 American romantic comedy-drama film directed and co-written by Nora Ephron, based on a story by Jeff Arch. It stars Tom Hanks and Meg Ryan, alongside a supporting cast featuring Bill Pullman, Ross Malinger, Rob Reiner, Rosie O'Donnell, Gaby Hoffmann, Victor Garber, and Rita Wilson. The film was a critical and commercial success, grossing over $220 million worldwide.


✱ plot
After Chicago architect Sam Baldwin loses his wife Maggie to cancer, he and his eight-year-old son Jonah start a new life in Seattle, Washington, but Sam continues to grieve. A year and a half later, on Christmas Eve 1992, Jonah—who wants his father to find a new wife—calls in to a radio talk show. Jonah persuades a reluctant Sam to go on the air to talk about how much he misses Maggie.

✱ When Harry Met Sally
When Harry Met Sally is a 1989 American romantic comedy film written by Nora Ephron and directed by Rob Reiner. It stars Billy Crystal as Harry and Meg Ryan as Sally. The story follows the title characters from the time they meet just before sharing a cross-country drive, through twelve years or so of chance encounters in New York City. The film raises the question "Can men and women ever just be friends?" and advances many ideas about relationships that became household concepts, such as "high-maintenance" and the "transitional person".


✱ plot
In 1977, Harry Burns and Sally Albright graduate from the University of Chicago and share the drive to New York City, where Sally is beginning journalism school and Harry is starting a career. Harry is dating a friend of Sally's, Amanda. During the drive, they discuss their differing ideas about relationships between men and women. Harry says that "Men and women can't be friends because the sex part always gets in the way." Sally disagrees, claiming that men and women can be strictly friends without sex. During a stop in a diner, Sally is angered when Harry tells her she is attractive; she accuses him of making a pass at her. In New York, they part on unfriendly terms.

✱vocabulary

artistic(adj.)
1753, from French artistique, from artiste (see artist). Native artist-like was recorded from 1711; artistly from 1754; artistical from 1798. Related: Artistically.
antagonist(n.)
"one who contends with another," 1590s, from French antagoniste (16c.) or directly from Late Latin antagonista, from Greek antagonistes "competitor, opponent, rival," agent noun from antagonizesthai "to struggle against, oppose, be a rival," from anti "against" (see anti-) + agonizesthai "to contend for a prize," from agon "a struggle, a contest" (see agony). Originally in battle or sport, extended 1620s to any sphere of human activity.
eternity(n.)
late 14c., "quality of being eternal," from Old French eternité "eternity, perpetuity" (12c.), from Latin aeternitatem (nominative aeternitas), from aeternus "enduring, permanent" (see eternal). Meaning "infinite time" is from 1580s. In the Mercian hymns, Latin aeternum is glossed by Old English ecnisse.

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